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In the film Close Up, choreographer Alida Dors and film maker Manuel Rodrigues research the tension between accelerating and delaying movement and the power and vitality of stillness. How do you melt these two together?
The film encompasses eight different break-dancers in a modest black and white picture. The choreography is delayed, movement is dissected by time. Each body part is followed and displayed with motion tracking. Both the body’s and the movements determine the choice of imagery. What follows is a detailed and aesthetic display of dance.
EYE not only functions as a projection façade, but its aesthetics contribute to the content which makes dance, architecture and film come together.
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